Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Saturday, April 28, 2012

500 Miles in Someone Else's Shoes

I've been hesitating on what to write about the Camino. I'd thought the lessons would all become apparent to me along the Way, but to be honest, they're only just starting to peek out of the shadows. It is like the ease with which one can solve the problems of others but not one's own: the issue has to be seen from a different perspective. Now that it has been nearly a month since I finished walking, the experience is finally folding together to the point where I can start making sense of it.

That's not to say the Camino was completely free of life lessons learned. In fact, I ran into an Italian hippie in Galicia who pointed out that the roads were paved with cow shit (I'd noticed) and said he had the realization one day that the more time he spent watching the road to avoid the cow shit, the more beautiful scenery he was missing. I agreed and added that, even if one steps in the shit, it can still be washed away. However, it was the "missing" aspect that I've only recently begun to notice.

I've been working heavily on another blog, Bill Beaver's Best Laid Plans, a travel blog. As I've been writing and incorporating pictures, I noticed how few pictures I have of some areas and how few are actually of higher quality. This may be a standard ratio among photographers, but it has only highlighted what has been missing: time.

There are ten commandments of the Camino. I have been unable to locate a full list online, only references to the list I saw but did not fully process in Castrojeríz, but one stands out right now: You shall not change your pace to match another's.

I had mapped out my Camino to start on March 3rd and conclude on April 8th. A day behind in Pamplona, I figured I would sacrifice a day in Santiago to compensate. Instead, I met two other peregrinos with whom I decided to keep pace, not the least reason of which being that one was close in age to me and attractive. I kept pace with both of them for half the Camino, hurrying through some towns I'd originally planned to explore in more depth. I caught up to my missing day and surpassed it. True, we seldom walked together for long, and by the midpoint of the Camino, both went further than they'd said, and I was left behind.

Someone wiser could have seen these two as faces who had entered and left my life, as is the natural way of things, but instead, feeling hurt and abandoned, I continued at the pace they had set. I made photographic sacrifices: it was too much of a hassle to take out the camera, and I was losing time and distance behind them. What if I didn't see them again in Santiago before they left, four days before I arrived? It became this huge, important matter that I somehow catch up with them, so much so that, even on the days where I decided to go slower, I still put in the same distances and made the same photographic sacrifices. I stopped making friends in the same way as I walked. I became hurried and impatient with people who wanted to chat. I was pushing myself to catch up with someone else's Camino and had given no more than a fleeting glance at my own Camino and what it meant to me. That, at least, has affected my journal and work afterward, especially as I read more into these places and learn more of what I missed.

Now, that being said, 480 miles is a long walk with lots to see and limited memory card space. I was subject to the complaints of my body and the more pressing matters at hand than just snapping photos, like where to rest. However, the fact remained that the complaints of my body were directly proportional to the number of kilometers walked in a given day, as set by my desire to catch up to my past friends in the future. This is a very important parallel to daily life and one that demands awareness.

I'm a people pleaser. After a year in Codependents Anonymous, this still presents a problem, especially in the way I pace my life. Right now, I am unemployed, but my biggest concern right now is not that I'm running out of money (I'm okay for a while longer); my biggest concern is that I will have to justify myself to my mother. Each time I get a text message and see it is from her, even if it's a funny picture of the dog, I immediately get ready to explain my actions in a way that she will find acceptable and thus let me off the hook. It is a mentality that regularly takes me away from what I was originally doing. I'm trying to walk her Camino.

On a project level, for the last year, I have been floundering in a field of non-creativity, owing to one of my college lessons that said something to the effect of "You only have a few years to make it in the business." This thought led me to blaze through and submit my first screenplay to multiple companies, a screenplay with which I was not personally happy but which I thought the readers needed to see soon. I jumped to match their pace and sent them inferior work. I have tried to churn out short scripts for my director friends quickly, the idea being turnover, turnover, turnover. Thus far, I have not had anything produced because the work is hurried and inferior. I'm noticing the same in my photography, ignoring lighting and rushing framing to churn out content before I'm overlooked by someone who does not exist. I am walking the Camino of the professional world.

In romance, well, hell, what haven't I already said about romance? To the present, I've operated my relationships on the idea that my date needed constant entertainment, a complete sharing of interests, and anything else they may request, as soon as they request it. Otherwise, they would leave me behind. And this was important to me. I have put down my own work, beliefs, and interests because someone else, whom I happened to find attractive, found them subpar. I have been walking the Camino of everyone I ever dated and completely lost myself in them each time.

So what now? The physical Camino is over, and now I'm almost a month back in Los Angeles. The question now floating in and out of my head is "How do I get back on my Camino?"

It's not an easy process. I've built so much of my worldview on expectation and assumption that the idea of dropping them is confusing. I've lost so much of my ideation process in the grand hurry that I now have to dig deep in order to get it back. I have to find a job that, yes, will pay the bills, but at the same time, I may also need to be a little more picky with what I choose instead of just picking something to be employed again and not have to explain. Hovering over this is the concern that, if I couldn't figure this out with all my alone time on the Camino, how could I possibly figure it out back in the big city of LA?

The process is already starting. It takes a return to the old world to see what has been picked up from the new one (or is that reversed?). Writing Bill's adventures, above all things, is highlighting how much is lost in trying to walk someone else's Camino. The point is, people will wait if they know it's worth their while, and if not, it is no catastrophe. I have walked to the End of the World, and I remember enough to know that this is not it. So the plan, as of now, is to finish the blog, to focus on writing a good book instead of a quick book, and to find a job that lends itself to both of the previous. It may take until May to accomplish; it may take longer. I have time, and I have my lessons to back me. However, I have to stay on my Camino now. The plantar fasciitis reminds me of that.

Monday, April 11, 2011

A Thousand Feet in the Air

Whew! Okay, I'm back after quite the hiatus. Where have I been, you ask? I've been face-down in the pages of a script. I received a follow-up E-mail from one of the Script List folks, basically asking me, "Dude, where's your script?" I decided it was time to stop putzing around and get the thing done.

And now, it's done! I sent in all 120 pages, rewritten to death and resurrection, this morning, and now, there is so much potential ahead. With this weight taken from my shoulders, I have leaped a thousand feet into the air, but it is important, on my way down, to find a place to land.

Writing a really great script requires a firm grasp on human emotion, something I struggle to understand on a daily basis. The way to reach the intense anger, joy, and sadness depicted in movies is foreign to me, owing to spending so much time isolated in my head. I can handle complex systems; I can create cultures down to the assistant to the middle shaman in charge of sprinkling shaved rodent hair over the heads of ceremonial dancers, but for the life of me, I cannot be satisfied with my characters' reactions. I can write "She YELLS" or "He breaks down," but I can never tell if the situations surrounding those short statements would, in the real world, elicit such responses. I have no gauge, and it's made writing an incredibly frustrating process.

Emotional people fascinate me. When I see someone cry or laugh out loud or really lay into someone, I'm almost paralyzed with wonder and sometimes end up having to give account for my staring. When friends are emotional, I struggle to relate, but being unable to do so, I resort to intellectualism. "Interesting" is a favorite, non-committal word. The roots of this are many, but the fact of the matter is, while I can feel emotion inwardly, my inability to express it outwardly, like those fascinating people I observe, is inhibiting me from getting my work to reach beyond the system and touch the heart of the reader.

I used to write scenes that made me want to cry, but I believe they were in prose. When I can get inside the character's head (my realm), it works, but in the screenplay format, where all is visual and audible, without scent, touch, or thought (which must be depicted visually on film), I'm stuck. I cannot convey the emotion as I want, nor can I get my readers to understand the emotional depth that I had envisioned. So, sticking with New Year's Resolutions, I've got to figure out how to open the bottle of tears and let the words flow out. This next script had better make someone react, or so help me, I will figure out how to express my annoyance off the page.